Relief Prints

This traditional printmaking method involves carving a design into a block, leaving the design elements raised, while the background is cut away. Ink is then applied to the raised surface and transferred onto paper or fabric with the help of a press or by hand. In contrast, in intaglio printing, the recessed areas are printed. The result is a visually striking image, often characterized by bold lines, intricate textures, and a tactile quality that adds depth to the composition. Relief prints can be created using various materials, such as wood, linoleum, or even rubber, allowing artists to explore a range of styles and effects.

Cherry Ripe

 

NEW WORK

6x6 inch (150x150mm)

This project began with the idea of having some fun with small images that might amount to something collectively when hung as a group. Inspired by the everyday and trying not to overthink, i am hoping to create many more images during the next 12 months. Watch this space…….

 
Ned! Ned! You are better off dead.jpg
 

Made in Australia

The series began with the idea that Australia did not create enough pop art or more precisely, pop art lino prints. But why should I be original? Why can’t I be non-original? - Andy Warhol, 1963. Pop was one of the defining art movements of the 20th century. Pop elevated popular culture to the level of fine art. Simple bright coloured bold images derived from mass entertainment and consumerism entered the art galleries and museums. These institutions had previously only worshiped at the altar of high art. For many this new art was a shocking betrayal of high cultural values, for others it was a liberating encounter with the world that people actually lived in. Made in Australia is a series of multi-plate lino prints created in a post pop style. International Pop, Modernism, local cultural, conspiracy theories, politcal and environmental references are juxtaposed in a colourful and irreverent way. This series of prints both hopes to add to the confusion and be a part of the conversation about what is quintessentially Australian. In reality it is just a collection images based on ideas I thought were interesting at the time. I have also tried to borrow images and be non-original.

Ellery Creek, Alice Springs

 

Luminous Land

The series began with the idea that I had been avoiding creating images focused on landscape. It was time to set that right. The linocuts glow with brilliant light tempered by the darkest blacks. The work is inspired by decades of road trips across Australia. I have often found myself back at the same viewing point only to slowly realize that I had been to that spot before. Linocuts force the artist to work with simplicity, the marks seem to take on a symbolic nature. My interest in landscape is often more about the cultural overlay of the human presence. The ideas have accumulated with long term avoidance of a focus on landscape in my art practice. There are hopefully more images to come. …….